From a distance, “The Lego Movie” looked like it could be the worst kind of modern studio filmmaking: literally an adaptation of Danish plastic bricks, sold on name recognition and not much else, and packed with corporate synergy for other Warner Bros. properties. But in the hands of Phil Lord and Chris Miller, it became a surprise joy: a playful, inventive, often hilarious, frequently surprising film that’s as good as any studio animated effort in recent years.
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THE HOLLYWOOD REVIEW 
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